Jack Hinzo

Self Portrait

Jack Hinzo is an English student at San Diego State University who writes and takes photos in his spare time. He enjoys cold mornings, hot coffee, and spending times with his cats.

Connect with Jack on IG: @jackhinzo


Tell me about your favorite pair of shoes:

I have these cowboy boots that I probably have worn more than any other piece of clothing for the last 3 years. They were my dad’s from the 80s. When I was a kid, they sat on a shelf in my room, looming over me. They never fit me as a kid, so they stayed on the shelf.

A couple years ago, I was doing some spring cleaning, and there the boots were. I tried them on, they fit, and that was pretty much the end of it.

I’ve worn them at least 3 days a week since then. There’s near holes in the soles, scuffs on the points, and tears at the tops where you pull. I’ve bought 3 other pairs of boots that I’ve worn right through since then. Soles have come completely come off. Parts of the leather rip and tear exposing my socks. Dad’s boots are the only ones that seem to last.

Tell me about your favorite car:

I used to drive a 1990 Lexus es250. It was my grandfathers car, and probably the most valuable thing ever given to me. Not to say the car was particularly nice. Panels were falling off, the passengers side door didn’t open from the outside, and it perpetually smelled of old man cologne. I remember one January, it was so cold the condensation actually started to freeze on the wheel.

Its coolant pipe blew up on the I-8 two years ago, and that was the end of it. The car was so old they stopped making replacement parts for it.

I drive a 2023 Kia forte now, but I still miss driving that Lexus, feeling every pebble on the road, listening to radio stations, messing with the cigarette lighter. Waiting for the windows to defrost.

What parts of San Diego feel like they belong to you alone? Which places capture the essence of “true” San Diego for you, and which ones feel like they’re just playing the part?

I think the last remnants of real San Diego reside at the trolley stations. The San Diego I grew up in was so much more diverse and mixed. My neighborhood had all types of people, now it’s mostly rich whites or the navy. When I’m riding the trolley, I see every one on there. Working class people getting to work, sports fans, businessmen hopping in and off to different parts of the city. It’s chaotic but it’s nice I think. Definitely not boring.

What was it like growing up in San Diego? Was there ever a time you dreamt of leaving? If you could go anywhere, where would you go—and would you eventually find yourself back here?

For a long time i didn’t want to leave San Diego. Everything felt so dense and big— It would take me decades to explore every nook and cranny. Now, I’m not so sure I desire to delve into every city corner and street. The older I get the more I want to crawl out of my city, into other parts of the world.

With all that said, however, I’m not really sure where I’m gonna end up. I could see myself coming back after a while, I could see myself living in another part of the country, in the other part of the world.

Tell me about your parents. What are the stories you hold about their connection to this city? Were they born here, or did life bring them here? What was San Diego to them?

My dad is a San Diego native. He grew up in national city, and lived there for most of his life, excluding his baseball years. Mom was from a old mining town in PA, who became a flight attendant. They met on an airplane, actually.

I think my Dad liked San Diego passively, he didn’t think or talk about it too much. My mom loved being by the beach, that I know. We went to the beach every day for a whole summer one year.

Which parent do you see most when you look at yourself? And what pieces of the other parent show up in ways you can’t deny?

I am my mothers child, that’s for sure. We think the same, laugh the same, stress out in the same way over the same things. We get mad at the same things. My Dad and I keep organized and have similarly strict schedules, but I think we do it for different reasons.

I think he finds peace in keeping a regimented routine. I like to have an orderly schedule so my mind can wander throughout the day.

Everyone says I look like my mom, and I kind of agree. We’’re pale skinned skinny people.

Sometimes I look at old photos of my dad, though, and it’s like looking at a mirror. Same smile lines, same hair parting. Freaks me out a little bit.

Where do you go when you crave romance? What place draws you back to friendship, to childhood? Where do you go to feel free, to unleash anger, to find unfiltered joy?

There is a small park near UCSD. My boyfriend and I kissed there for the first time. Every time we walk past it we stop, think, take it in. Enjoy each others company. It’s nice. Feels very pure to me.

Favorite Beach:

Imperial Beach (mind the pollution)

Favorite Mall:

Las Americas

Favorite Teacher(s):

Michael Crawford, 11th grade English.

Do you know where the wild parrots came from?

I don’t.

What memories do you carry with you from Horton Plaza? What does its absence mean for you?

I was a small child when Horton Plaza shut down, I think. My grandma loved the Chinese restaurant in there.

What’s changed most about San Diego in the past 10 years, or even the past 20? What parts of it never change, no matter what?

There are more assholes than before. That might be everywhere. Padres fans are my favorite sports people, that will never change.

San Diego has such a mix of people from different places. Who is a person you’ve met here who changed you unexpectedly? Tell us about them.

I think about my high school teacher Mike Crawford a lot. I wonder if I would have the same taste as I do now if it wasn’t for him. I met him when I was so young, it’s hard to say. He was definitely pivotal in my life, though.

Tell me about that moment of transcendence that made you fall in love with your medium.

When I took a Polaroid of myself with a group of people a few years ago, it was the first time I realized how sad I was. It was a combo of where I was in the photo, the way the light reflected off my glasses, and most notably, how vacant my expression was. I think then I realized photography can show emotion unlike any other medium. It reproduced a vacancy and sadness almost exactly.

What’s a moment in your life when photography helped you understand something you couldn’t put into words?

When I look at photos of old friends, with me next to them, I can look into my own eyes and see, remember how I felt in that moment, whether it be sad, happy, longing. I took a self portrait 2 years ago and looking back at it, looking at how my eye bags fell and how the corners of my mouth stretched, I saw a profound sadness.

I think photography is a lot like looking in a mirror and seeing an old, or sometimes just different, reflection than what you’re used to

How does San Diego’s landscape, light, and culture influence your photography?

San Diego is a happy city. Not a lot of grit. I think I might try to overemphasize the melancholy that does exist here. The cold nights, the dirty streets. The parking lots with garbage and cigarette butts.

Polaroids have an inherent sense of nostalgia. Do you see your work as capturing moments of the past, or do you use them to reinterpret the present?

Polaroids are my absolute favorite types of photos.

There is a vintage quality to them, but in my opinion that’s superficial— anything shot on old hardware will have that.

Polaroids capture the spontaneousness of dreams for me. Why did the color do that? What is that shadow? Why did it focus like that?

I know people are ‘good’ at Polaroid and can get consistent results, but there is always going to be something that distorts the exact image, at least for me, and I love that.

What about the instant nature of Polaroids inspires you as an artist, especially in a time dominated by digital photography?

You can’t redo a Polaroid. Thats thrilling for me. What it prints out is what you get.

Do you consider the imperfections in Polaroid photography—like light leaks or unexpected chemical reactions—part of the art? Can you share a favorite “happy accident” from your work?

Absolutely!

Recently I dropped my Polaroid and broke it, and all of the film in it ended up as double exposures. Some were trash, but a couple were kinda crazy looking. I liked that.

Who or what are the recurring subjects or themes in your work, and what draws you to them?

I like photographing people. Everyone looks so different, and it’s nice to be able to capture part of their essence in a photo.

Do you have any superstitions about your process that you absolutely stick to?

I am not a particularly superstitious person, but I never take photos or post people without their permission. I just kinda think that’s bad form.

What does process even look like to you?

I have no process! Pick up the camera as soon as you get an idea and then shoot.

How does life inform your art? How does your art inform life?

Do you think art is more about observing life or living it? Where do you draw the line?

I think I try to capture whatever I’m feeling whenever I am feeling it. I like looking back on photos and remembering where I was emotionally then. I think it’s about living and observing in that regard. I have to live through it to shoot it, and to observe it in the future.

What question do you wish people asked you about your art or your life that they rarely do?

Are you really that good looking in real life?

No, Idk. I think above all else I just want people to be able to look at my photos and enjoy them at whatever level they can. Maybe how it makes them feel?

What crafts and hobbies do you love and take part in? Is there a specific craft or hobby you are proud of that many people might not know about you?

I journal every week, and am pretty good about it. I picked up the guitar a couple months ago and am slowly but surely improving.

I love reading. I really could read every day if I didn’t have other more important things.

San Diego has a reputation for being laid-back, but photography often requires discipline and precision. How do you reconcile those two energies in your work?

I have no precision, I think. It’s probably really inefficient , but I am ok if a shot looks garbage after development. That’s life

If San Diego could speak through your camera lens, what story would it tell?

Look at all of these little corners of the world, all in this one city.

If you could pick a single street, park, or hidden corner of San Diego to shoot an entire collection about, where would it be? Why?

I would shoot at the 12th and imperial trolley station. It’s where every corner of San Diego convenes. A lot of stuff goes on right there between people.

What made you want to teach high school, and why do you think teenagers are such important subjects—not for a camera, but for life?

Teenagers are in the pivotal part of their lives where they are deciding on who they want to be. I think in a way I want to help them figure that out, whoever that is.

What would you write in a letter to the San Diego of your childhood, and what would you write in a letter to the San Diego of the future?

Take it easy on high school, it never was, and never will be that serious.

I hope you started to relax a little bit. Look around and see how many people love you. then say you love them too.